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・ Muridke
・ Muridke railway station
・ Muridke Tehsil
・ Murie
・ Murie family
・ Murie railway station
・ Murie Ranch Historic District
・ Murie Residence
・ Murie Science and Learning Center
・ Muriedas
・ Muriel
・ Muriel (angel)
・ Muriel (film)
・ Muriel (given name)
・ Muriel a andělé
Muriel a oranžová smrt
・ Muriel A. Howard
・ Muriel Abdurahman
・ Muriel Aked
・ Muriel Anderson
・ Muriel Angelus
・ Muriel Anton
・ Muriel Baillie
・ Muriel Barbery
・ Muriel Barron
・ Muriel Battle High School
・ Muriel Baumeister
・ Muriel Beaumont
・ Muriel Belcher
・ Muriel Bell


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Muriel a oranžová smrt : ウィキペディア英語版
Muriel a oranžová smrt

''Muriel a oranžová smrt'' (in English: ''Muriel and the Orange Death'') is a Czech comic album written by Miloš Macourek and drawn by Kája Saudek in 1969/1970. The story was inspired by the Warsaw Pact invasion of Czechoslovakia in 1968.〔Prokůpek (2009), p. 157〕 The album is the second and the last part of the planned cycle of adventures of young physician Muriel and her friend, angel Ró. It is considered one of the masterpieces of Czech comics. The 1st edition of the album was published in 2009, forty years after its creation,〔Diesing (2009), p. 269〕 and sold out in four days.
== Background ==
Kája Saudek and Miloš Macourek first worked together in the early 1960s, as filmmakers. Inspired by the French ''Barbarella'' comic-book series, they began work on a cycle of graphic novels that featured a young, beautiful woman and a winged man (an 'angel'). The first installment, ''Muriel a andělé'' (Muriel and Angels), was announced in 1969, but not published until 1991.〔Prokůpek (2009), p. 149〕 While the second installment was being planned, Warsaw Pact forces invaded Czechoslovakia, in August 1968, and occupied the country, ending the Prague Spring liberalization period, and bringing about a restructure of the Czechoslovak communist regime. Faced with official repression and censorship, Czech authors, filmmakers and musicians reacted with a spate of ingeniously subversive new works: Macourek was no exception, and wove his own experience and opinions of Czechoslovakia's occupation into a new installment of Muriel's adventures. In the tightened communist censorship of the period, both installments met with official disapproval. Under the "normalization" of Czech society, comics - and particularly Saudek's - were considered bourgeois propaganda. ''Muriel a oranžová smrt'' was a flagrant satire against central communist authority.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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